The secular works for mixed a capella choir by Josef Rheinberger (1839-1901)

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Perspectives about musicians' performance anxiety

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The use of the oboe and cor anglais in the fifteen symphonies of Dmitri Shostakovich (1906-1975)

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The woodwinds in the symphonies of Dmitri Shostakovich (1906-1975)

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Lang Lang, sy model Vladimir Horowitz, en die klassieke pianis in die postmoderne wêreld (Afrikaans)

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Flute phrasing : structurally meaningful interpretation of slurs

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The use of the clarinets and bass clarinets in combination with other instruments to potray the libretto of Puccini's opera Tosca

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South African unit standards for culture and arts education and music as an elective sub-field

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Die resepsie van Anna Rudolph se Afrikaanse kinderliedere deur Afrikaanssprekers (Afrikaans)

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Implementing a Western Classical music programme for teacher training through integrated arts in Early Childhood Development

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Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans)

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Vocal pedagogy : goals, objectives, scope and sequencing for undergraduate students

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The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'

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South African unit standards for sight-singing, realised in a multiple-media study package

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The role of music, performing artists and composers in German-controlled concentration camps and ghettos during Word War II

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Die letterkundige werke van die Suid-Afrikaanse komponis Stefans Grové en die verband daarvan met sy musiek (Afrikaans)

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Susan McClary and the epistemology of “new” musicological narrative, 1983-2007

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Unit standards for aerophones in a postmodern South Africa

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A Gendered Faust : the portrayal of gender in the opera Faust (1859) by Gounod (1818-1893)

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The historical and pedagogical relevance of the 24 Grandes Études op. 125 by Johann Nepomuk Hummel (1778-1837)

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