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Interpersonal communication and brand interaction on mobile social media: South African adolescents' use of MXit, Facebook Twitter
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Public relations via Twitter : an analysis of South African commercial organisations
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The space between : discursive constructions of masculinity in contemporary South African men's lifestyle magazines
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“According to social media…” Examining the influence of social media on political reporting within Zimbabwe’s mainstream media
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From #MenAreTrash to #MensConference: Networked masculinities in South African Twitter
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Make yourself at home: networked domestic space, place and narrative in middle class South African everyday life
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#ZimbabweanLivesMatter vs #ThisFlag: A comparative discourse analysis of two social media movements in Zimbabwe
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A filmic adaptation of the Lorraine Loots's Ek is Suzie
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Then it happened; The four degrees of narrative separation : exploring the process of adaptation through biolographical texts
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Family, archive, and the posttraumatic imaginary: an analysis of the role of archival material in the personal documentaries stories we tell, the Imam and I, and grandpa Ernest speaks
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‘Do I even belong?' Interrogating Afro-diasporic navigation of identity, race and space in the search for belonging
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The role of nostalgia in reality television’s representation of rural lives
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Entanglements of media and space: an exploratory case study of two public arts projects in Johannesburg and Cape Town
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Necessary illusions?: representations of Darfur
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Bollywood and Colourism: Exploring the discourse of Blackness in Hindustani cinema
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Everything I am not: Discovering who I am
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Weaving a Universal Narrative: A Comparative Screenplay Analysis of Parasite and Blue Velvet
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Screening interiority : dream, the unconscious, emotion and imagination in cinematic language
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Begging for change: engaging with Johannesburg in post-apartheid South African film
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The representation and mediation of national identity in the production of post-apartheid, South African cinema
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Adapting Mozambique : representations of violence and trauma in Mozambican cinema and literature
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'Digital storytelling' - unplugged public video voices and impression management in a participatory mobile media project for youth in Khayelitsha, South Africa
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The cross-cultural camera of Akira Kurosawa
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Screening African Conflicts : the different faces of Africa's child soldiers - Afro-pessimistic / Afro-optimistic portrayals on screen