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Playing sex : the exploration, creation and transmission of gender codes in puppetry through the exploration of Cleansed
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Mise en scène as a feminine textual body : making meaning in new plays
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Film spectatorship and subjectivity : semiotics, complications, satisfactions
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Plot, literature, history : White and Ricoeur
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Towards an integrated theory of actor training : conjunctio oppositorum and the importance of dual consciousness
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Proyectan diversificar y aumentar la producción de Mo-99
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De verhouding van spel en literatuur in de dramatische kunst
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Die begrip drama-in-die-onderwys : met verwysing na die toepassing daarvan in Suid-Afrikaanse skole
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Using theatre techniques as a tool to enable active learning : searching for a pedagogy to transform spectators into spect-actors
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Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensorientering
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Die rol van praktiese werk in die onderrig van drama as 'n akademiese dissipline
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Visual music : a study on the role of music in South African children’s television programmes from 1976 − 1994
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An examination of the relation of scientific thought to changing notions of time, space and character in 20th century drama: Chekov, Beckett, Foreman
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Considering rhythms of emotional proximity: an alternative approach to directing theatre in a violent society
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Anarchival dance: choreographic archives and the disruption of knowledge
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A Museum of Bottled Sentiments: the ‘beautiful pain syndrome’ in twenty-first century Black South African theatre making
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Questions for Amma: Tracing the manifestations of violence on the South African Indian Female body
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Remembering Repertoires: exploring performance as a social innovation technology
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Neurobiology, empathy and social cognition: the potential benefits of theatre in traumatised communities
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Inherited memories : performing the archive
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Homecoming: finding a place for shamanic practice in the creation of post colonial theatre
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Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town
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Ma, performing the White, Afrikaner Woman back to self
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Painting as a response to a sense of dislocation in the South African social fabric
