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Debussy and the Etude : A critical survey of Debussy's attitude to this nineteenth century single movement structure through analysis and commentary of selected etudes by Debussy and Chopin
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The piano music of Peter Klatzow : a stylistic analysis of selected works
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The piano and violin and piano and cello sonatas of Brahms : a study of selected recordings
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The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers
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Stylistic characteristics of Gabriel Fauré's piano quartets and piano quintets
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Aspects of Schubert's compositional style as displayed in selected piano sonatas
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A pedagogical approach to the formulation of fingering options for selected piano works of Debussy, Scriabin, Rachmaninoff, Ravel, Bartók, and Prokofiev : a practice-led study
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Teachers Perspectives on One-on-One Remote Piano Lessons in Selected High Schools in Cape Town
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Structural processes in Gabriel Fauré's nocturnes for piano
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Modality in the piano music of Gabriel Faure
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Jeanne Zaidel-Rudolph : three piano works - analysed and edited
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The operatic piano reduction as an art form : a critical evaluation
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A comparative style-critical analysis of representative piano works by Alberto Ginastera with specific reference to his application of the Malambo dance rhythm
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Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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A Kinesiological analysis of piano technique as employed in selections of György Cziffra’s piano transcriptions
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Bach's Goldberg variations : a study of technical and stylistic transference to the piano
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Viktor Ullmann: a style analysis of selected Theresienstadt compositions featuring piano
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The jazz piano style : a comparative study of bebop, post-bebop and modern players
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Vladimir's Round Table by Stefans Grove : transcription for Two Pianos
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A style discussion of Jeanne Zaidel-Rudolph’s Pendulum for Piano and Orchestra and a comprehensive catalogue of her orchestral, chamber and piano compositions
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The founding of the Unisa international piano competition
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
