Channels Making a feature length documentary film linked to the programme for improving mental health care (PRIME) : process and ethical challenges
Race Day An Explication of the Documentary Film One Mind
Tero Buro: Feature film script
A critical reflection on the production of this deadly air we breathe (2023) and the use of participatory and expository modes of representation in documentary films with lessons from Unearthed (2014)
Colour adjustment: race and representation in post-apartheid South African documentary
Family, archive, and the posttraumatic imaginary: an analysis of the role of archival material in the personal documentaries stories we tell, the Imam and I, and grandpa Ernest speaks
Making Unusual suspects - girls in gangs: a critical reflections on the ethics of cross-cultural filmmaking
Culture and gentrification on upper Long street : a study of Long street's evolution and contemporary incarnation, with a look at documentary styles and the cinematic city
Don't hide the madness perception, bipolar and the film form
Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film
Begging for change: engaging with Johannesburg in post-apartheid South African film
Diverse Love: how interracial relationships are portrayed in film: a personal journey
Exploring nature and environmental conservation through nature and wildlife films in Southern Africa
From Namibia with Love - the dissertation paper a reflective essay supporting the documentary film 'From Namibia with Love'. With special references from the director's and editor's perspective on making a politically sensitive documentary film
The Great Dance : myth, history and identity in documentary film representation of the Bushmen, 1925-2000
Make yourself at home: networked domestic space, place and narrative in middle class South African everyday life
Thinking Safety: Making the Familiar Strange and the Strange Familiar: Body/Space Investigations of Womens Safety in Cape Town
Cutting real : self-reflexive editing devices in a selection of contemporary South African documentary films
Film censorship in Egypt: power and subject-making
Bollywood and Colourism: Exploring the discourse of Blackness in Hindustani cinema
Everything I am not: Discovering who I am
‘Do I even belong?' Interrogating Afro-diasporic navigation of identity, race and space in the search for belonging
Constructing brand loyalty via social networks
A filmic adaptation of the Lorraine Loots's Ek is Suzie
The role of nostalgia in reality television’s representation of rural lives
