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“According to social media…” Examining the influence of social media on political reporting within Zimbabwe’s mainstream media
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Bollywood and Colourism: Exploring the discourse of Blackness in Hindustani cinema
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Mediated visibility, morality and children in tabloid discourse
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Representing aspiration in South African television: negotiating space, movement, and value
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Entanglements of media and space: an exploratory case study of two public arts projects in Johannesburg and Cape Town
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The South African print media, 1994-2004 : an application and critique of comparative media systems theory
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A study of Radio Zimbabwe's messages and audiences in a time of crisis
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Transmitting the transition media events and post-apartheid South African national identity
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From chef to superstar : food media from World War 2 to the World Wide Web
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Interpersonal communication and brand interaction on mobile social media: South African adolescents' use of MXit, Facebook Twitter
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'Digital storytelling' - unplugged public video voices and impression management in a participatory mobile media project for youth in Khayelitsha, South Africa
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Family, archive, and the posttraumatic imaginary: an analysis of the role of archival material in the personal documentaries stories we tell, the Imam and I, and grandpa Ernest speaks
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Everything I am not: Discovering who I am
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‘Do I even belong?' Interrogating Afro-diasporic navigation of identity, race and space in the search for belonging
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Constructing brand loyalty via social networks
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A filmic adaptation of the Lorraine Loots's Ek is Suzie
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The role of nostalgia in reality television’s representation of rural lives
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Necessary illusions?: representations of Darfur
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Weaving a Universal Narrative: A Comparative Screenplay Analysis of Parasite and Blue Velvet
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Then it happened; The four degrees of narrative separation : exploring the process of adaptation through biolographical texts
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Screening interiority : dream, the unconscious, emotion and imagination in cinematic language
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Becoming
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Songs of sand and grit : a collection of narrative literary journalism
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A critical reflection on the production of this deadly air we breathe (2023) and the use of participatory and expository modes of representation in documentary films with lessons from Unearthed (2014)
