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A critical discussion of the twelve-tonal idiom of Anton Webern and criticism of its assessmant by some natable theorists
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A critical discussion of the twelve-tonal idiom of Anton Webern and criticism of its assessmant by some natable theorists
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Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist
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Key profile optimisation for the computational modelling of tonal centre
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A Signal-Based Model of Teleology in Tonal Music
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Teaching method for reading musical notation and sightsinging, including its application in contemporary non-tonal music
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Teaching method for reading musical notation and sightsinging, including its application in contemporary non-tonal music
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Constructing a model musical idiom for award-nominated video game soundtracks
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The analysis and discussion of two transcribed solos
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A critical assessment of Anton Szandor Lavey's philosophy of indulgence as a dogma based assault on Scripture
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The operatic piano reduction as an art form : a critical evaluation
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World musics in elementary and secondary music education: a critical analysis
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Critical Factors influencing the Sustainability of Community Music Schools in the Greater Cape Town area: Two Case Studies.
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Hans Anton Aschenborn, mens en kunstenaar
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A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson
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A style discussion of Afrika Hymnus II and Afrika Hymnus III by Stefans Grové
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A style discussion of Afrika Hymnus I by Stefans Grové
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A comparative style-critical analysis of representative piano works by Alberto Ginastera with specific reference to his application of the Malambo dance rhythm
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Milan Kundera as a Representative and a Theorist of World Literature
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Invictus : Orchestral Prelude in 3 movements by Noel Stockton : analytical discussion of the synthesis of the basic elements of music in a third stream composition
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Debussy and the Etude : A critical survey of Debussy's attitude to this nineteenth century single movement structure through analysis and commentary of selected etudes by Debussy and Chopin
