Channels A critical reflection on the production of this deadly air we breathe (2023) and the use of participatory and expository modes of representation in documentary films with lessons from Unearthed (2014)
Race Day An Explication of the Documentary Film One Mind
Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film
The Stakeholder Spectrum. The History and the Current State of Participatory Film in Hungary
The Great Dance : myth, history and identity in documentary film representation of the Bushmen, 1925-2000
Double-Edged Sword: Unearthing Toxicity in Bollywood’s Empowered Female Characters
Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014
Family, archive, and the posttraumatic imaginary: an analysis of the role of archival material in the personal documentaries stories we tell, the Imam and I, and grandpa Ernest speaks
Cutting real : self-reflexive editing devices in a selection of contemporary South African documentary films
Making a feature length documentary film linked to the programme for improving mental health care (PRIME) : process and ethical challenges
The docu-comedy : towards a new genre in the expression of social commentary through comic performance, using documentary film techniques and reality television discourse
Wake Up Dead Man: A Knives Out Mystery
Participatory Video in the Museum
Colour adjustment: race and representation in post-apartheid South African documentary
Filial Care and Familial Postmemory. On the Uncanny and Affective Intermediality of Analogue Media Use in Recent European Documentaries
The MyStreet Movement and Participatory Video
Baghdadi Street Life: Examining the Challenges of Representing and Recreating Baghdad in Interactive Documentary – A Practice-Based Case Study
Displacements. Contexts for a Participatory Media Project
Remake Bodony: Visual Participatory Action Research and Tiny Publics
Filming Modernity and Islam in Colonial Egypt
2026 Sundance Film Festival: Introduction
Representations of Heteronormativity and Masculinity Crisis in Nuri Bilge Ceylan's Cinema: Uzak (2002) and Kış Uykusu (2014)
Culture and gentrification on upper Long street : a study of Long street's evolution and contemporary incarnation, with a look at documentary styles and the cinematic city
Film censorship in Egypt: power and subject-making
Theology and the Films of Christopher Nolan: Cinematic Transcendence
