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Femme in Translation
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Amor fati, amor mundi : Nietzsche and Arendt on overcoming modernity
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The Diversity of Women's Power in Ovid's Metamorphoses
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Poeta, exsul, vates : a stylistic and literary analysis of Ovid's Tristia and Epistulae ex Ponto
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Presencia de amor en la isla / Presence of Love on the Island
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Reading Ovid in the #MeToo era : a feminist reception of rape scenes in the Metamorphoses
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Truth to power : the vengeful meditations of exilic Ovid in the metamorphoses
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Amor, Art, and Advocacy: Un Conversación with Chicanx Mother, Grammy Award Artivist, MacArthur Fellow, and Scripps professor Martha Gonzalez
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Influence of different short peripheral cannula materials on the incidence of phlebitis in intensive care units: A post-hoc analysis of the AMOR-VENUS study
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El amor en los tiempos del caucho. Pactos matrimoniales y trabajo coercitivo entre awajún y patrones en la Amazonía peruana
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Battle narrative in Virgil and Ovid
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Nature Art : Ovid's poetics of creation in the metamorphoses
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Temporal resolution abilities of individuals with and without diabetes mellitus type 11 with normal pure tone threshold
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Personification and depersonalisation as unconscious coping mechanisms in Ovid's exilic texts
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Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
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Understanding trauma and catharsis in ovid's metamorphoses 10 : a fantasy reading
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The flutist's embouchure and tone : respectives and influences
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Irony as ideology critique in Deutero-Isaiah with special reference to the parody on idolatry
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The Parody of Hegemonic Masculinity, and Disabled Body in the Turkish Folk Dance “The Lame”
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The use of the Alexander Technique in the improvement of flute tone
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Syllabic tone variation by Sepedi speakers with dysarthia
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Intercultural issues in the translation of parody; or, getting Alice to speak French and Afrikaans in Wonderland
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David Henry Hwang’s Yellow Face: Fictional Autoethnography and Parody on Racial Stereotypes
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Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective
