Channels - Composition portfolio :: FRELIP Discovery

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Portfolio of compositions
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Portfolio of original compositions
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Portfolio of four original compositions
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Portfolio of compositions
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The composer as technologist : an investigation into compositional process
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Electroacoustic Composition Process as Com-position
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Four original compositions
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Curating South African flute compositions : landscape as theme of exhibition
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon
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Aspects of Schubert's compositional style as displayed in selected piano sonatas
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Iannis Xenakis (1922-2001): an examination of the implementation of stochastic procedures in selected compositions
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Sounds of suffering : a creative response to human suffering and emotional pain in the form of a contemporary composition
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An investigation into the effectiveness of using headphones with integrated microphones to simulate concert hall acoustics for musicians in small acoustic environments
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The study of Abigbo choral-dance music and its application in the composition of Abigbo for modern symphony orchestra
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Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983)
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Hildegard Westerkamp’s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self through Soundscape Composition
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Research: A style discussion of The Magic Marimba by Hans Roosenschoon / Portfolio of Musics
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The use of performance composition on African music instruments for effective classroom music education in Africa
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How did Wolfgang Amadeus Mozart adjust his compositional technique when writing for a Mezzosoprano en travesti? A comparison between the roles of Cherubino and Sesto
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Guided composition : an integrated, outcomes-based music curriculum for grade 8
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An analysis Franza Lisz's stylistic development as manifested by the three compositional stages of the12 etudes, op.1 (1826), the douze grandes etudes (1838) and the final version, etudes d'execution transcendante (1851).
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Invictus : Orchestral Prelude in 3 movements by Noel Stockton : analytical discussion of the synthesis of the basic elements of music in a third stream composition

Author: Chanter, Tim Martin

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Composition portfolio