Channels The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present
Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669
20th-century serial thought and its development from performed to electronic music.
Archetypes and symbols and how they are expressed in musical discourse in selected hero theme musicals of the 20th century
The Life and Works of Gedikpaşalı Yahyâ Nazim Efendi, One of the Important Names of 17th Century Turkish Music
EFFECTIVE PRESENTATIONS IN MUSIC MANAGEMENT
The keyboard music of Spain in the first half of the twentieth century
Music as an interaction ritual: A post-cognitivist framework for understanding musical interaction within Jazz
Creating new music for horn through collaborative practice
Future-focussed music education: developing 21st-century competencies in a South African middle school music classroom
The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography
Music, Nature, and Sound: Musical Ecology
The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015.
Musicking in the liminal Space between Community Music and Music Education
Collaborative pianists in South Africa: comparative & practice-based perspectives with reference to musical theatre
Comparing Secco Recitative Accompaniment by Contemporary Cellists and Cellists in the 19th Century: A Study of Social and Cultural Assumptions
The prevalence of playing-related musculoskeletal disorders in selected Western classical music students at the South African College of Music, University of Cape Town
A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River.
World musics in elementary and secondary music education: a critical analysis
Influences of music education on the forming process of musical identities in South Africa
Soundpainting as a system for the collaborative creation of music in performance
Key factors that contributed to the guitar developing into a solo instrument in the early 19th century
