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Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective
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The use of the Alexander Technique in the improvement of flute tone
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Extended flute techniques in three culturally different solo flute pieces
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Curating South African flute compositions : landscape as theme of exhibition
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Perspectives on straight-tone singing in Western Classical music
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The Boehm flute : its antecedents and its influence upon the repertoire
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The Boehm flute : its antecedents and its influence upon the repertoire
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The French flute tradition
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A study and catalogue of French flute music written between 1945 and 2008
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Influential factors in the application of flute vibrato
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Crafting the commons : modern approaches to music as product
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Flute phrasing : structurally meaningful interpretation of slurs
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An investigation into Historically Informed Performance Practice among South African flute pedagogues and players
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Animals in Early Modern Histories of Music
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Revitalizing an indigenous musical tradition: a study of Korankye's approach to sustaining the seperewa musical tradition
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Wagner's Meistersinger and the tradition of comic opera
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A somatic embryogenesis-based system for the production of fluted pumpkin (telfairia occidentalis hook F.) planting materials
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A somatic embryogenesis-based system for the production of fluted pumpkin (telfairia occidentalis hook F.) planting materials
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An overview of the historical, technological and stylistic aspects of electronic dance music with specific reference to the trance genre
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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Sergei Prokofiev’s violin concerto no. 1: exploring aspects of tone production, bowing, and left-hand technique
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Setting the tone : the impact of music on fatigue, arousal and motivation during conditioning for high to elite level female artistic gymnasts
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The jazz piano style : a comparative study of bebop, post-bebop and modern players
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
