Similar Items: Identity and difference without opposition : constructing and exposing strategic subjectivities for social comic comment
- Towards performing an afropolitan subjectivity
- Performing the (un)inherited language, identity, performance
- Recommencing reality : the intersection of public and private identity in performative contexts
- Subalternity and the negotiation of a theatre identity : performing the postcolony alternative Zimbabwean theatre
- Performing Methods of Undress towards a Re-Imagined African Masculine Identity
- How to Disappear: Disidentification and biomythography as tools for queering and querying oppressive identity politics
Author: Mills, Liz
- Identity and difference without opposition : constructing and exposing strategic subjectivities for social comic comment
- Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context
- Female vocality in theatre : sounding, hearing, and structures of feeling re-framed
- Female bodies as text : disobedient representations of the witch
- Mise-en-Scene as (pre)text; an insistence on a negotiated space for the creating of new theatre works
- Generative dramaturgy : a strategy for refocusing directorial intent in the translation phase of play development