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Open Access Catalog for African Scholarship
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Portfolio of original compositions
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Portfolio of four original compositions
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Composition portfolio
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Portfolio of compositions
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Four original compositions
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Teaching jazz harmony through an understanding of bebop
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The evolutionary origins of music
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Portfolio of compositions
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The basso continuo : a survey of its origins in Italy and of its evolutionary diversification in Germany and France between 1650 and 1750
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The composer as technologist : an investigation into compositional process
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Electroacoustic Composition Process as Com-position
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Curating South African flute compositions : landscape as theme of exhibition
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Didactic Changes in Sound Compositions with Synthesizer Apps
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The analysis and discussion of two transcribed solos
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon
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Aspects of Schubert's compositional style as displayed in selected piano sonatas
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Iannis Xenakis (1922-2001): an examination of the implementation of stochastic procedures in selected compositions
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Sounds of suffering : a creative response to human suffering and emotional pain in the form of a contemporary composition
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The study of Abigbo choral-dance music and its application in the composition of Abigbo for modern symphony orchestra
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Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983)
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Benefits of creating and participating in an original creative musical production on the self-esteem of adolescents in a residential care institution
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Hildegard Westerkamp’s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self through Soundscape Composition
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Research: A style discussion of The Magic Marimba by Hans Roosenschoon / Portfolio of Musics
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The use of performance composition on African music instruments for effective classroom music education in Africa
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Author: Campbell, Mike
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Portfolio of original compositions
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Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis.
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The business of live music in South Africa and the jazz musician
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Author: Narunsky, Michael Dan
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Teaching jazz harmony through an understanding of bebop
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Portfolio of original compositions
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