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Arabic education in Nigerian universities: the university of Ibadan as a model
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Basic elements of rules of metrics in arabic prosody for Nigerian students
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Arabic language in multicultural dynamism: chronological effects on Nigeria’s heritage
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Coming to voice : identity and change in the teaching of writing to women
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Language Borrowing Among Syrians Speaking Arabic in The United States: Arabization of English Words
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Authorship and ownership of UShaka KaSenzangakhona
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Historicising borders : studies in Nigerian novels
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Afro-arab women and the media misrepresentation: a literary panacea
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Negotiating the Canon: Arab Women Romantic Poets Jamila al-ʿAlayli and Zahra al-Hurr
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ظاهرة الرثاء المدني في الأدب العربي النيجيري The phenomenon of rithau-madany: civil elegy in Nigerian arabic literature
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Students' perceptions of interaction in a hybrid foreign language (L2) Arabic course in light of their affective domain
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Al-ghuluwu fi al-amsal al-arabiy of postproverbials in modem arabic literature and perceptive transformations in afro-arab culture
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Framing Arab refugees in global news
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The Narrative Legacy of Shajar al-Durr in Arabic Literature
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By All Memes, I want to learn Arabic: Teachers’ and Students’ Perceptions of Using Memes in AFL Classrooms
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New forms of exile: Arab identity in three contemporary novels
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The Saudi reaction to the Arab revolts: the paradoxical Saudi policy towards the Arab Spring
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Factors affecting code switching between Arabic and English
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AN Unsilenced Text:
The Literature of the Female Voice in Hanan Al-Shaykh's Women of Sand and Myrrh and Leila Abouzeid's Year of the Elephant
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Despite the great impression of the Arabs and non-Arabs writers to the art of Maqamat genre, invented by Badi’I Zaman Al-Hamadhani in the fourth century A.H., which gained a wide recognition in both Arabo-Islamic communities. The quantum values and importance added by this literary genre in to the Arabs’ literary heritage has made unique literary creative genre, which changes the status of Arabic prose writing, formulated in the form of funny stories, chosen a narrator named ‘Isa bn Hisham, and a vibrant Hero known: Abu -1- Fatih al-Iskandari. This unique style was later emulated by many Arabs’ writers by producing their own Maqamat, such as; Abu-L-Qazeem Muhammad Al- Hariri (d. 516 A.H), Zamakhshari (D.538 A.H.) Suyyuti (d. 1505 C.E). In the twenty-first century, the great gestures of Africa Arabic scholars in general, and Nigeria in particular, with this literary creativity is very impressive and applausive , with the production of different Maqamat, followed the styles of Badi’ Zaman al Hamadhani, Abu -1-Qasim al- Hariri and etc., amongst are: Dr. Abdul Bari Adetunji in his Maqamat titled : Kaswatu-L-‘Ary fi-1- Maqamat Abdul Bari, Mas’ud Abdul Ganiy Adebayo Al-Oyowiy, in his Maqamat, titled: Maqamat-1- Oyowy, Muhammad Awwal Abdul Salam popularly known as Sahibul -Qur’an Al-Ilory in his Maqamat, titled : Maqamat -Ilory, and Ahmad Tijani Yusuf Ajegunle popularly known as Riku-1 -Asifiyah in his Maqamat, titled : Maqamat Ibn Yusuf and etc. Despite the multiplicity of the studies contained in Al-Ilory’s Maqamat, the rhetorical features have not been studied, which has created a gap to fill by the researcher. Therefore, this research aims to study the rhetorical features in the Al-Ilory’s Maqamat. But, before delving in to the main discussion, the concept of Maqamat, its characteristics and elements would be discussed. Then a historical background of the author of Al-Ilory’s Maqamat would also be discussed.
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Assessing L2 Egyptian Colloquial Arabic (ECA) Learners’ Intercultural Communicative Competence
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Is there an Arab state?
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INTERCULTURALISM IN THE WRITINGS OF YORUBA GRADUATES OF ARAB UNIVERSITIES, 1964-2012
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Survival of non-oil producing monarchies from "Arab Spring": Morocco and Jordan
