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Samuels Beckett's The Trilogy and the affirmation of reading
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Samuel Beckett and the theatre of deconstruction: an exegesis on form
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Epidemiology, molecular characterisation and tropism of the Hepatitis G Virus / GBV-C
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Lesions and cellular tropism of natural Rift Valley fever virus infection in sheep
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Irish Business and Management Research: Towards the Post Irish Journal of Management Era
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A study of characterization and the use of language by absurdist playwrights Ionesco and Beckett through selected plays
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The Story of Academy-owned Journals: Irish Academy and Irish Journal of Management 1996-2025
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La recherche du neant dans le theatre de Samuel Beckett
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Chapelle, Beckett & Ranalli (2024). Exploring AI in Applied Linguistics: Book Review
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The influence of African folktales on Sylvia Path's 'Ariel voice'
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Shadow and babble : a study of imagery and narrative voice in the prose fiction of Samuel Beckett, from Murphy to The unnamable
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The implications of Setswana hare folktales contemporary for South African children
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Translating African folktales for children into German : challenges, strategies and solutions
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Ideational Analysis and Integration of African Folktale in Science, Technology, and Education
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Troubles in Irish writing and the influence of politics and religion
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Reimagining ontology for a sustainable earth: a study of select Gond folktales from India
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Editorial: A Fond Farewell to the Irish Journal of Management
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44 | Targeted delivery of mir-486 to skeletal muscle: efficacy, tropism, and integrin dependency of MYOAAV2A vs. AAV9
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Projecting Ireland : the historical consciousness of Irish film in the 1990's
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Teacher and learner perceptions of indigenous folktales as resource for the English Home Language classroom
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Recreating Orality: Cultural and Performative Aspects in Lebbady’s Translation of Moroccan Folktales into English
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Teachers’ and elders’ perceptions of using folktale storysinging when teaching Setswana to young children
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A Review of Yeats, Revival, and the Temporalities of Irish Modernism by Gregory Castle
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An examination of the relation of scientific thought to changing notions of time, space and character in 20th century drama: Chekov, Beckett, Foreman
