-
Negotiating the Canon: Arab Women Romantic Poets Jamila al-ʿAlayli and Zahra al-Hurr
-
The Narrative Legacy of Shajar al-Durr in Arabic Literature
-
Classical arabic: a critique of thumadir bint amr’s (al-khansa) poetry
-
Beyond Logic: Ibn al-Sarrāǧ’s (d. 316/928) al-Uṣūl fī al-naḥw and the Formation of the Islamic Disciplines
-
Postproverbial irony in contemporary African cultural expressions
-
Afro-arab women and the media misrepresentation: a literary panacea
-
The Psychological Significance of Cultural and Religious Values Among the Arab Population
-
Mazahir al-naqdil-arabic wa fununuhu
-
Framing Arab refugees in global news
-
The status of arabic literature in Nigerian authorship: a chronological study
-
The Saudi reaction to the Arab revolts: the paradoxical Saudi policy towards the Arab Spring
-
Despite the great impression of the Arabs and non-Arabs writers to the art of Maqamat genre, invented by Badi’I Zaman Al-Hamadhani in the fourth century A.H., which gained a wide recognition in both Arabo-Islamic communities. The quantum values and importance added by this literary genre in to the Arabs’ literary heritage has made unique literary creative genre, which changes the status of Arabic prose writing, formulated in the form of funny stories, chosen a narrator named ‘Isa bn Hisham, and a vibrant Hero known: Abu -1- Fatih al-Iskandari. This unique style was later emulated by many Arabs’ writers by producing their own Maqamat, such as; Abu-L-Qazeem Muhammad Al- Hariri (d. 516 A.H), Zamakhshari (D.538 A.H.) Suyyuti (d. 1505 C.E). In the twenty-first century, the great gestures of Africa Arabic scholars in general, and Nigeria in particular, with this literary creativity is very impressive and applausive , with the production of different Maqamat, followed the styles of Badi’ Zaman al Hamadhani, Abu -1-Qasim al- Hariri and etc., amongst are: Dr. Abdul Bari Adetunji in his Maqamat titled : Kaswatu-L-‘Ary fi-1- Maqamat Abdul Bari, Mas’ud Abdul Ganiy Adebayo Al-Oyowiy, in his Maqamat, titled: Maqamat-1- Oyowy, Muhammad Awwal Abdul Salam popularly known as Sahibul -Qur’an Al-Ilory in his Maqamat, titled : Maqamat -Ilory, and Ahmad Tijani Yusuf Ajegunle popularly known as Riku-1 -Asifiyah in his Maqamat, titled : Maqamat Ibn Yusuf and etc. Despite the multiplicity of the studies contained in Al-Ilory’s Maqamat, the rhetorical features have not been studied, which has created a gap to fill by the researcher. Therefore, this research aims to study the rhetorical features in the Al-Ilory’s Maqamat. But, before delving in to the main discussion, the concept of Maqamat, its characteristics and elements would be discussed. Then a historical background of the author of Al-Ilory’s Maqamat would also be discussed.
-
Is there an Arab state?
-
AN Unsilenced Text:
The Literature of the Female Voice in Hanan Al-Shaykh's Women of Sand and Myrrh and Leila Abouzeid's Year of the Elephant
-
Al-Tahdiyatid-Al-AlmaniyyahWat- Taqnolojiyyah lil- Lughatil-Arabiyyah Fi Naijiriyyah
-
Language Borrowing Among Syrians Speaking Arabic in The United States: Arabization of English Words
-
New forms of exile: Arab identity in three contemporary novels
-
Factors affecting code switching between Arabic and English
-
Musnad ʿAbd Allāh ibn al-Zubayr al-Ḥumaydī as an Early Source of Madanī isnād: A Source Critical Study
-
Patterns in Contemporary Arabic Poetry: Muhammad Al-Thubaiti as an Instance (1)
-
From Crypto-Muslim to Muslim Polemicist: The Self-Writing of Aḥmad ibn Qāsim al-Ḥajarī
-
Semantic connotation of hadith and the emergence of arabic schools of grammar
-
The effect of the development and restoration projects on the culture of Marsh Arabs
-
The use of Egyptian spoken Arabic in modern Egyptian novels
