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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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Crafting the commons : modern approaches to music as product
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Revitalizing an indigenous musical tradition: a study of Korankye's approach to sustaining the seperewa musical tradition
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Musicking in the liminal Space between Community Music and Music Education
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Music, Nature, and Sound: Musical Ecology
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New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
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Influences of music education on the forming process of musical identities in South Africa
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Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River.
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Rhythmic techniques in a selection of Olivier Messiaen’s piano works
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The Certificate Programme in Music : a means of broadening access to higher music education studies at the University of Stellenbosch
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World musics in elementary and secondary music education: a critical analysis
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Can a non-traditional approach to music develop the learning potential of primary school learners?
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Adopting a pragmatic approach to the implementation of the music curriculum in colleges of education in Nigeria
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Music on the Periphery of Aesthetics
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The evolutionary origins of music
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Methodological Issues in Transnational Music Archive Research: The Case of Bulgarian Music Archives
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Towards lifelong musical enjoyment: The application of the Self-Determination Theory and musical understanding during individual instrumental lessons
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Utushimi : an emergent approach to musical arts education based on the inshimi practice of Bemba storytelling
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Generating Music, AI and Energy
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EFFECTIVE PRESENTATIONS IN MUSIC MANAGEMENT
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Music to move the masses : protest music of the 1980s as a facilitator for social change in South Africa
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The use of performance composition on African music instruments for effective classroom music education in Africa
