Similar Items: Susan McClary and the epistemology of “new” musicological narrative, 1983-2007
- Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century
- Making a game of chess sound
- Postmodernism Epistemology and Nigeria’s Educational System
- Constructing history from music reportage : Jewish musical life in South Africa, 1930-1948
- Melodic and textual resource materials in A. T. Olaolude’s Mayokun
- A Re-examination of Ancient Near-Eastern Music-Theoretical Tablets and Notation; Concerning a Tablaturisation for the Hurrian H6 Cuneiform Tablet
Author: Van der Mescht, Heinrich Hermann
- Lang Lang, sy model Vladimir Horowitz, en die klassieke pianis in die postmoderne wêreld (Afrikaans)
- Perspectives about musicians' performance anxiety
- The woodwinds in the symphonies of Dmitri Shostakovich (1906-1975)
- Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans)
- The use of the oboe and cor anglais in the fifteen symphonies of Dmitri Shostakovich (1906-1975)
- South African unit standards for sight-singing, realised in a multiple-media study package