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At the Intersection of Architecture and Cinema: An Examination of the Utopian and Dystopian Spaces in Metropolis and Megalopolis Films
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Representation of Women in Iranian Cinema: Jafar Panâhi Films
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Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014
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Locating the Cultural Geography of Kolkata's Cinema Para: From Single-Screen Film Theatres to Cinemallisation
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The Representation of Racism in American Cinema: Critical Discourse Analysis of the Films Guess Who's Coming to Dinner and Get Out
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Where Commerce Meets Art: Hybrid Complexity and Narrative Ambiguity in Post-1990s Cinema
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Bollypolitics: Popular Hindi Cinema and Hindutva
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Urban Projections : a cinema and film centre for the Cape Town east city
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Towards complex urban integration : Upgrading an existing street in plastic view informal settlement
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An Evaluation of The Performance and Comparative Cost of Ground-mounted and Rooftop Mounted Solar Photovoltaic Systems
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Bollywood and Colourism: Exploring the discourse of Blackness in Hindustani cinema
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A death in the family: meditations on mourning in contemporary cinema
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Numinous Matter: Time, Image, and the Sacred in Tarkovsky’s Cinema
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The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema
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An Example of Acting Forms In Modern Greek Cinema, Yannis Economides
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Ethical Experience and Narrative Ambiguity in Contemporary Turkish Cinema: Hesitation Line
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Proletariat Cinema: The Representation of the Working Class In Egyptian Cinema Over 80 Years
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The New Threshold of Creative Labor: Qualitative Insights from Turkish Cinema Professionals
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Political Cinema as the Reproduction of Collective Subjectivity A Case Study of Bacurau (2019)
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Adapting Mozambique : representations of violence and trauma in Mozambican cinema and literature
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Contemplative Absence: Sacred Experience in Abbas Kiarostami’s The Wind Will Carry Us and the Aesthetics of Slow Cinema
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Family, archive, and the posttraumatic imaginary: an analysis of the role of archival material in the personal documentaries stories we tell, the Imam and I, and grandpa Ernest speaks
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The representation and mediation of national identity in the production of post-apartheid, South African cinema
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Representations of Heteronormativity and Masculinity Crisis in Nuri Bilge Ceylan's Cinema: Uzak (2002) and Kış Uykusu (2014)
