Similar Items: Hyperartifical cinema and the art of cool
- Film spectatorship and subjectivity : semiotics, complications, satisfactions
- The dual world metaphor and the 'struggle' in selected South African and African films (1948 to 1996)
- Film : teater, doek, toeskouer
- Exploring issues of identity and belonging in the films of Mira Nair : Salaam Bombay!, Mississippi Masala and Monsoon Wedding
- A myth to manifest: how spirituality entangles with violence and identity in Divines (2016)
- Impact of Western cultural values as presented in the Egyptian movies
Author: Hauptfleisch, Temple
- Hoekom drama? : ’n ondersoek na enkele persepsies van drama en drama-opleiding aan die Universiteit van Stellenbosch
- Luister-leer : die opvoedkundige moontlikhede van die hoorspel in Suid-Afrika
- "Memory is a weapon" : the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays
- Exploring issues of identity and belonging in the films of Mira Nair : Salaam Bombay!, Mississippi Masala and Monsoon Wedding
- The H.B. Thom Theatre : an evaluation of its potential as a regional arts and cultural centre
- Die benutting van teater vir lewensorienteringsprogramme : 'n teoreties-eksperimentele ondersoek