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South African botanical art : a study of nineteenth- and twentieth-century imagery
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Amor fati, amor mundi : Nietzsche and Arendt on overcoming modernity
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The study of the structure of artistic revolution
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n Flankerende gesprek met psigoanalise as 'n toegangsmetode tot abstrakte kuns
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Assessment of Ecological Predictors of Moral Decadence in Oyo State, Nigeria
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Assessment of ecological predictors of moral decadence in Oyo State, Nigeria
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Long-term climate variability at the Prince Edward Islands in the Southern Ocean
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Artists' books in the age of digital reproduction : an enquiry into the problematic nature and (in)accessability of book production as contemporary art
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Visualizing the unfamiliar: ethnography of an emerging moment in Cairo
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Opening the curiosity box : botanical images as sites of transformation for the scientific practices of annotation and display in the seventeenth and eighteenth centuries
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Framing Affect: Close up to Feeling with Women at the Eighteenth-century Theatre on the Twenty-first Century Screen
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DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
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A graphic interpretation of some social constructions of disability
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The African Biennale : envisioning ‘authentic’ African contemporaneity
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Tapping into the 21st Century
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The female body as spectacle in nineteenth- and twentieth-century Western art
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Aspects of art nouveau architecture
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Becoming: self-transformation and growth through experimenting with materiality and colour
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"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
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The language of painting in nineteenth-century English fiction
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A Review of the South Central Society for Eighteenth-Century Studies (SCSECS) Annual Conference (Pinehurst, NC 19-21 February 2026)
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26.05.27 Walker, Rose. Art and Artifice in Twelfth-Century Iberia.
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A Review of William Hayley: A Biographer’s Influence on Life Writing and Romantic Networks in the Long Eighteenth Century, edited by Lisa Gee and Mark Crosby
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Review of Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-1830, edited by Cristina S. Martinez and Cynthia E. Roman
