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Exploring theatrical conventions and the application of palimpsest, polyphony, hauntology, and site-specific, through a scenographic lens
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Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town
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Breath-Body-Self : an exploration of the body as a site for generating images for performance making
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The Negotiation of Gender and Patriarchy in Selected Nigerian and South African Plays
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De verhouding van spel en literatuur in de dramatische kunst
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Die begrip drama-in-die-onderwys : met verwysing na die toepassing daarvan in Suid-Afrikaanse skole
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Using theatre techniques as a tool to enable active learning : searching for a pedagogy to transform spectators into spect-actors
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Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensorientering
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Die rol van praktiese werk in die onderrig van drama as 'n akademiese dissipline
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Poësie performances : ‘n ondersoek na die moontlikhede vir poësie performance
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دور المسرحية العربية النيجيرية في مراقبة السياسة المالية في نيجيريا The Role of Nigerian arabic drama in monitoring financial policy in Nigeria
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Kgolo ya Tiragatšo ya Sepedi (Sepedi)
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Regietendense onder vyftien vooraanstaande Suid-Afrikaanse regisseurs
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An examination of the relation of scientific thought to changing notions of time, space and character in 20th century drama: Chekov, Beckett, Foreman
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Considering rhythms of emotional proximity: an alternative approach to directing theatre in a violent society
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Anarchival dance: choreographic archives and the disruption of knowledge
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A Museum of Bottled Sentiments: the ‘beautiful pain syndrome’ in twenty-first century Black South African theatre making
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Questions for Amma: Tracing the manifestations of violence on the South African Indian Female body
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Remembering Repertoires: exploring performance as a social innovation technology
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Neurobiology, empathy and social cognition: the potential benefits of theatre in traumatised communities
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Inherited memories : performing the archive
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Homecoming: finding a place for shamanic practice in the creation of post colonial theatre
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Ma, performing the White, Afrikaner Woman back to self
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Painting as a response to a sense of dislocation in the South African social fabric
