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<title>Channels - Playing the Hollywood Western on Repeat: Cinematic Realism in Mad Dog McCree :: FRELIP Discovery
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Play Me for a Fool: Horror-Inducing Madness from Edgar Allan Poe to The Dark Eye (1995)
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Thomas A. Laughlin: Crisis and Clarity: Fredric Jameson’s [The Antinomies of Realism], Affect, and the Problem of Representing Totality Today
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Playing Moby-Dick: Agency, Disempowerment, and Adaptation in Nantucket
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Playing the American Nightmare: Japanese Horror Games at the Millennial Turn
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The Plymouth County Comfort Dogs Program: Fostering Resiliency, Academic Success, and Relationships with Law Enforcement
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Western Photography
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Living the Dream, Playing the Nightmare: Remediation as the Critique of the American Dream in American Arcadia (2023)
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Videogame Narrativity: Tense-Aspect-Mood, Mechanical Drifting, and the Valences of Play in Kentucky Route Zero’s “The Death of the Hired Man”
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Review: German Film after Germany. Toward a Transnational Aesthetic
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Review: Vertrauen und Gewalt. Versuch über eine besondere Konstellation der Moderne
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Review: German-Jewish Popular Culture before the Holocaust. Kafka's Kitsch
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Review: A Foreign Affair: Billy Wilder's American Films
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Märchen und Apokalypse
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Wo der Wille zur Macht fehlt, gibt es Niedergang: An Examination of Descent and Acsent in Friederich Nietzsche und Thomas Mann
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Das Leben als Krankheit: Kafkas Ein Landarzt
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Cry Wolf? Encounter Controversy: Christa Wolf's Legacy in Light of the Literature Debate
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Gestörter Organismus: Jean Pauls Ästhetik der Abweichung in der Erzählung Dr. Katzenbergers Badereise
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Udohla––Plattform für Karoline von Günderrodes philosophische Gedanken
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Die emanzipierte Emanzipationsgegnerin: Caroline Pichlers theoretische Schriften
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Front Matter
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About the Artist: Marcel Bühler
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The "Medusan" Glance: Language and Critique in the Early Writings of Walter Benjamin
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The Red and the Black: Race in the DEFA Indianerfilm Osceola
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Cohen-Pfister, Laurel and Dagmar Wienroeder-Skinner, eds. Victims and Perpetrators: 1933-1945. (Re)Presenting the Past in Post-Unification Culture. Berlin/ New York: Walter de Gruyter, 2006.
