Skip to content
Channels - When Queer is Normalised: Recognising Representations of Homonormativity in Indian Audiovisual Brand Campaigns :: FRELIP Discovery
Channels
When Queer is Normalised: Recognising Representations of Homonormativity in Indian Audiovisual Brand Campaigns
An “Indian” American Congressman: Dalip Singh Saund’s Indian Heritage and His 1956 Journey to Congress
‘Ardhanareeshwara’ – The Lord Who is Half Woman: Breaking the Gender Binary through Indian Philosophy and Contemporary Gender Studies
Review;Lives of Circumcised and Veiled Women; A Global-Indian Interplay of Discourses and Narratives, Debangana Chatterjee, 2024. Routledge
The Visibility of Ukrainian Women Refugees in the Romanian Public Sphere. Representations and Modes of Engagement
“Broken, I Want a Serious Relationship”: The (Self-)Representation of Heterosexual Masculinities on Tinder in India
‘Breaking’ the Silence and ‘Fighting’ Back: Changing Representations of Female Response to Gender-Based Violence in Select Malayalam Films
Who’s Afraid of the Kitchen? Representations of the Kitchen in Three US Films, The Children’s Hour, Breakfast at Tiffany’s and Blue Jasmine
Review: German Film after Germany. Toward a Transnational Aesthetic
Review: Vertrauen und Gewalt. Versuch über eine besondere Konstellation der Moderne
Review: German-Jewish Popular Culture before the Holocaust. Kafka's Kitsch
Review: A Foreign Affair: Billy Wilder's American Films
Märchen und Apokalypse
Wo der Wille zur Macht fehlt, gibt es Niedergang: An Examination of Descent and Acsent in Friederich Nietzsche und Thomas Mann
Das Leben als Krankheit: Kafkas Ein Landarzt
Cry Wolf? Encounter Controversy: Christa Wolf's Legacy in Light of the Literature Debate
Gestörter Organismus: Jean Pauls Ästhetik der Abweichung in der Erzählung Dr. Katzenbergers Badereise
Udohla––Plattform für Karoline von Günderrodes philosophische Gedanken
Die emanzipierte Emanzipationsgegnerin: Caroline Pichlers theoretische Schriften
Front Matter
About the Artist: Marcel Bühler
The "Medusan" Glance: Language and Critique in the Early Writings of Walter Benjamin
The Red and the Black: Race in the DEFA Indianerfilm Osceola
Cohen-Pfister, Laurel and Dagmar Wienroeder-Skinner, eds. Victims and Perpetrators: 1933-1945. (Re)Presenting the Past in Post-Unification Culture. Berlin/ New York: Walter de Gruyter, 2006.
Bernd Hamacher. Offenbarung und Gewalt. Literarische Aspekte kultureller Krisen um 1800. München and Paderborn: Fink, 2010.