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Channels - Margaret C. Flinn, editor. Drawing (in) the Feminine: Bande Dessinée and Women. The Ohio State University Press, 2024. :: FRELIP Discovery
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Margaret C. Flinn, editor. Drawing (in) the Feminine: Bande Dessinée and Women. The Ohio State University Press, 2024.
Ashley Hope Pérez. Deformative Fictions. Cruelty and Narrative Ethics in Twentieth-Century Latin American Literature. The Ohio State University Press, 2024.
“I’m Not Pretty Anymore:” Femininity and Beauty in the Barbie Movie
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Editors’ Note: American Narratives and Video Games
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Anke Finger and Julie Shoults, Editors. Women in German Expressionism: Gender / Sexuality / Activism. U of Michigan P, 2023.
Bennett, Benjamin. The Dark Side of Literacy: Literature and Learning How Not to Read. New York: Fordham University Press, 2008.
Book Review: Who is Government? The Untold Story of Public Service, Michael Lewis, Editor
Book Review: Etkind, Alexander, Rory Finnen et al. Remembering Katyn. Cambridge, UK and Malden, MA: Polity Press, 2012.
Review;Lives of Circumcised and Veiled Women; A Global-Indian Interplay of Discourses and Narratives, Debangana Chatterjee, 2024. Routledge
Rapallo Notebook C: A Vision, Poetry, and Sundry Writings
Chris Marker. Early Film Writings, edited by Steven Ungar. Translated by Sally Shafto, U of Minnesota P, 2024.
Imported Human Rabies - Kentucky and Ohio, 2024
Ekpo, Margaret
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Resilient Adaptation or Reclaimed Agency? Ukrainian Women’s Negotiation of Integration in Romania
Rewriting Herstory: Women from Micro-Histories to South African Fiction
The Visibility of Ukrainian Women Refugees in the Romanian Public Sphere. Representations and Modes of Engagement
Visual Dialogues on Gender: Women’s Perspectives from the UAE, Saudi Arabia, and Qatar
Their Plea for Freedom – Their Flight from Home: Jewish Women’s Quest for Education, Love, and Anarchism
Intersectional Trap of (in)Visible Identities and Belongings. Between Engagement and Entrapment of Displaced Ukrainian Women Scientists
Public Discourses about/by Women Migrants and Refugees from Central and Eastern Europe: (in)Visibility and (dis)Empowerment