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<title>Channels - The Man Who Would Be Billy Collins :: FRELIP Discovery
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Review: A Foreign Affair: Billy Wilder's American Films
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The Translation of “The Elephant Man”: Exploring the Trends and Perspectives
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Robert Musil's Literary Ethics: The Man without Qualities Reconsidered
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Videogame Narrativity: Tense-Aspect-Mood, Mechanical Drifting, and the Valences of Play in Kentucky Route Zero’s “The Death of the Hired Man”
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Those Who Can Pay: The Impact of Socioeconomic Status in Long Term Care
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Book Review: Who is Government? The Untold Story of Public Service, Michael Lewis, Editor
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Who’s Afraid of the Kitchen? Representations of the Kitchen in Three US Films, The Children’s Hour, Breakfast at Tiffany’s and Blue Jasmine
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‘Ardhanareeshwara’ – The Lord Who is Half Woman: Breaking the Gender Binary through Indian Philosophy and Contemporary Gender Studies
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Nicholas Brown and Maria Elisa Cevasco: Editors' Note
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Fredric Jameson: A New Reading of [Capital]
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Nicholas Brown: It's Dialectical!
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Peter Hitchcock: The Jameson Variable
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Thomas A. Laughlin: Crisis and Clarity: Fredric Jameson’s [The Antinomies of Realism], Affect, and the Problem of Representing Totality Today
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Suga Pines
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Generation
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A Constant State of Agitation
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Challenging Male Entitlement and Patriarchy: Promising Young Woman, Barbie, and Contemporary Feminist Theory
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“I’m Not Pretty Anymore:” Femininity and Beauty in the Barbie Movie
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“Broken, I Want a Serious Relationship”: The (Self-)Representation of Heterosexual Masculinities on Tinder in India
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The Perfect Feminist Movie Does Not Exist: Screening the Barbie Buzz
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Female Language in Research Articles Written by Transgender Scientists
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‘Breaking’ the Silence and ‘Fighting’ Back: Changing Representations of Female Response to Gender-Based Violence in Select Malayalam Films
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A Woman’s Revolutionary Discourse: Olympe De Gouges
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Review: German Film after Germany. Toward a Transnational Aesthetic
