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Channels - A Reverse History of Modernism: What Connects Prague to Le Corbusier? :: FRELIP Discovery
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National Conservation Lands: Connecting Landscapes and Serving Communities
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Seeing What Is Up in Manhattan
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Dreams Are What Music Is Made of…
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Pershing Square: A History of Plans, Designers, and Publics
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Who What When Where How Why
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THE LOWER ATHABASCA REGIONAL PLAN’S FUTURE IS HISTORY
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The Sonic Record: Interpretation, Aesthetics, and Labor History
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“You’re in apple land but you are a lemon:” Connection, Collaboration, and Division in Early ‘70s Indian Country
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Artful Adventures: Connecting People to National Conservation Lands through the BLM Artist-in-Residence Program
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Beyond Multidisciplinarity . . . and Interdisciplinarity. Transdisciplinarity and the history of Basque Studies
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Learning the Concept of “In-Between” in Architecture from History and Practice
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Levinas’ notion of neighbor as an approach to understand Pío Baroja, otherness and modern Spain.
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Rekindling the Flame: The History of the Kent Iron Furnace and a New Interpretive Perspective
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A Spatial History of Thomas Edison National Historical Park: Challenges and Opportunities
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New Perspectives in Transcontinental Railroad History: An Interview with Laura Dominguez
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Enslavement to Freedom: A Conversation on Interpreting and Commemorating New York State’s History of Enslavement
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History & Hope for Climate Action: Illuminating the Role of Energy in National Parks
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(Ultra)Minor Comics? Opening Up the History of (Post-)Yugoslav and Bulgarian Comics to Outsiders
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From Mussel Shoals to Muscle Shoals: Interpreting the History of Power Generation on the Tennessee River
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Our Job Is To Show Them Why: Environmental Justice and Energy History at Whitney Plantation
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Marianas Wartime Oral Histories Portal—Public-Facing Digital Archive of Island Memory
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What Happened?: An Examination of PLAYDATE, a Cellphone-Oriented, Neighborhood-Wide, Beyond-the-Stage Play in and About Downtown Brooklyn
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Origins of the Go Go Live at the Capital Centre Concert: The Compared to What Group and Arts Programming in DC Parks
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Do We Know It When We See It? Defining Significance and Integrity in the National Women’s History Landmark Project, 1989–1993