Skip to content
Channels - Naomi Alderman’s The Power: A Speculative Feminist Dystopian Fiction Mirroring the Here and Now :: FRELIP Discovery
-
The Travelogue as a Mirror of Thought
-
Where is he now?
-
Review: The Persistence of Realism in Modernist Fiction by Paul Stasi
-
The Modular Fiction of Ken Liu
-
‘Just Get It On The Table’: Gendered Food Labour in Janice Galloway’s Fiction
-
Intercultural Crisis Communication: Intercultural Speaker as Crisis Sojourner in a Fictional Disaster Narrative
-
Mirror Writing Among Saudi Elementary Students in English and Arabic: A Cross-Linguistic Perspective
-
David Henry Hwang’s Yellow Face: Fictional Autoethnography and Parody on Racial Stereotypes
-
On the Deconstruction of Racism in Ted Chiang’s Science Fiction Novel Liking What You See: A Documentary
-
The power of metaphor in thesis writing process
-
Discourse, Cultural Capital and Power Relations in Julian Barnes’s The Sense of an Ending
-
Sonic (and Other) Environments as the Mirror of Society (and as the Challenge for Artistic Testimony)
-
Power relations through the prism of critical discourse analysis and systemic functional grammar
-
The power that disempowers: An analysis of how English shapes the tourism landscape of Northern Mindanao, Philippines
-
Metaphors of Body in Shakespeare’s Epyllia: A Feminist-Cognitive Study
-
(Sub)cultural specificity of fiction simile and the choice of translation strategy
-
Event and Agent Nominalisations Across Academic, Spoken, and Fiction Registers in Contemporary English: A Pilot Corpus Study of Clausal Density
-
An analysis of lexicogrammatical development in English textbooks in Turkey: A usage-based construction grammar approach
-
Euphemistic strategies in Algerian Arabic and American English
-
Intertextuality in media discourse: A reader’s perspective
-
Rychter, Ewa, 2021. “Passing a looped and knotted string between their hands”. The Bible, the Women’s Liberation Movement and Women’s Bonds in Michèle Roberts’s The Wild Girl. Prague Journal of English Studies, Volume 10, Number 1, pages 23-41. doi: 10.2478/pjes-2021-0002
-
The Materialisation of “torrential languages” within the Avant-Garde: Mina Loy, James Joyce, and Aesthetic Modernism
-
Existential Dualism and Absurdity: Modernist Theatricality in Wole Soyinka’s Death and the King’s Horseman and Samuel Beckett’s Endgame
-
The “bull goose looney” as a Totem Guide for Chief’s Writing Himself to Freedom