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2024 Lisbon, Portugal
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Hemisphere:Visual Cultures of the Americas Volume XVI 2024
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Artist Spotlight
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(Review) Caroline Winterer’s How the New World Became Old: The Deep Time Revolution in America
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Savor the Tropical Andes: New Geopolitical Approach to Vicente Albán’s Quito Series (1783)
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Wonders of the Ancestral Puebloans: Astronomers, Engineers, and Magicians of the Four Corners
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Neither “Before” Nor “After”: Fat Ambivalence in Laura Aguilar’s Body (of Work)
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Extrayendo El Pulque: Tlachiquero’s Spectral Subjectivity and the Visuality of Pulque’s Extractive Zone
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‘Focus on’ South America: Mary Upjohn Meader’s 1937 Aerial Photography of Peru, Chile, Argentina, and Uruguay
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Table of Contents
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Editor’s Introduction to Volume XVI: Science, Medicine, and the Visual Arts in Dialogue: The Ibero-American Context, Then and Now
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Front Matter
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Book Review: Love and Duty: Confederate Widows and the Emotional Politics of Loss by Angela Esco Elder
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The Unseen War: Struggles of Andersonville Survivors
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Beyond Boundaries: Women in Border States During the American Civil War
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Remarks in Honor of Dr. Peter S. Carmichael
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Letter from the Editors
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Front Matter
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Gettysburg College Journal of the Civil War Era 2024
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Front Matter
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Gettysburg College Journal of the Civil War Era 2025
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“A Wise Ending to a Singularly Foolish Beginning”: An Analysis of the Chiriqui Colonization Project
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Echoes of Antiquity: The Romanticization of the Classical World Through Architecture in the Old South
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Deeds That Demons Would Be Ashamed Of: The KKK, Justice, and Bystanders.
