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Channels - The Use Of Scrap Materials in Architecture: A Conceptual and Practical Analysis Of Junkitechture Practices :: FRELIP Discovery
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The Use Of Scrap Materials in Architecture: A Conceptual and Practical Analysis Of Junkitechture Practices
4. Conceptual Materiality and Sculptural Critique
Association, Affect, and Material Reading Practices of Anna Laetitia Barbauld
"LeWitt Transpositions" and Conceptual Transpositions: Considering the Grammars of Conceptual Art and Parametric Drawing
Herd / Lab || Flock / Cube: Livestock Production, Relational Aesthetics and New Materialism in Contemporary Irish Visual Arts Practice & Memoir
Using comics as a tool to facilitate critical reflective practice in professional education
From the Iliad to the Troy Sonata: Conceptual Blending Theory
Practical Operation of Collective Housing as a Corporation‐Based on Analysis of Resident Council Meetings
Magic and Broken Knowledge; reflections on the practice of Bizarre Magick
Opening Materials
Copyright Law and the Visual Arts: Legislation, Litigation, and Community Practice
The Team in STEAM: Integrating Disciplinary Practices into Project-Based Experiences
Reflection as interference. Eleven thoughts on artistic research as an interruptive practice
Distinguishing Makamic Practices: Statistical and Machine Learning-Based Analysis of Ottoman/Turkish Music and Turkish Folk Music Works
“This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre
2. Performance in the Artistic Career Supported by the Practice of Intense Physical Exercises
Re-inventing Shakespeare’s Pericles, Prince of Tyre for Immersive Animation: A Practice-oriented Case Study
Architectural Forms and Cultural Analysis of Kiln Dwellings in Gongyi, Henan, China
Practicing Radical Forgiveness in the Political now: A Justice Fleet Exhibit Fostering Healing through Art, Dialogue and Play.
Natural Ventilation and Passive Cooling in Architectural Design: A Systematic Review of CFD Studies Using ANSYS Fluent
Olympic-Scale Subversion: Poster Art, Architecture, Performance, and the Afterlives of Mexico 1968
5. The Amplification of Ecological Awareness Through Art Practice: The Ecoartivist Drawing of Ecología De Un Abrazo [The Ecology of an Embrace]
Architectural Culture as a System of Signs: A Semiotic Reading of Space Design
Practical Framework for Risk‐Informed Performance‐Based Seismic Design Ensuring Building Functionality
A New Architecture through Gar Gazinosu Building: Representing a New Nation