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<title>Channels - Negotiating identity through Zhuangzian philosophy: Dementia narratives in Chinese cinema :: FRELIP Discovery
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Representing older adults and intergenerational conflict in contemporary Italian cinema, between generational and family master narrative
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The philosophy of fiction: Imagination and cognition
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(R)AGE: Ageing and Raging in the Cinemas of the Global South
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The ageing female body between feminist video art and horror cinema
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Giving God Glory: How Christian Tharus Negotiate Belonging through Ritual Music in Nepal
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Dementia, Cognitive Narratology, and Unreliable Narration in Florian Zeller’s The Father
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Exploring Identity through Six-Panel Memoirs with Collegiate and Secondary Students
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Douce Mélancholie: Sonic Negotiations of Absence in the Works of Susan Philipsz and Félicia Atkinson
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Decolonising Narratives Through Sonic Artistry and Weaving Dialogues: A Trans-Indigenous Exploration
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Sharing Identity: Indexing Cultural Perspectives through Writing Responses to Graphic Novels
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Bridging the Divide through Graphic Novels: Teaching non-Jews’ Holocaust Narratives to Jewish Students
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Fighting on the American Color Line: How Black Masculinity and Identity Was Negotiated Through Boxing in the Jim Crow Era
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Esoteric Elements in The Şahmeran Narrative: Identificatıon and Interpretation Through The Tarsus/Adana /Mardin Variants and Tomris Uyar’s “Şahmeran Hikâyesi”
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Tradition and Identity: a Study on Changes in Ritual Tradition to Honor the Deceased Spirits and It’s Influence on the Changes in Local Cultural Identity
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My Love to Be Defused: Beginnings of an Ethics of Belonging through Negotiations of a National Socialist Image in Daily Life, from Infancy to Adulthood (Excerpts from Diaries Now Titled, The Responsibility of Being That Sort of Baby, March 24–July 25, 20
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Mita y Mita: Bilingualism Beyond Identity Borders
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Navigating Media, Technology, and Narrative: Considering the Digital Turn in Scholarly Publishing
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Managerial Forms: Narrative, Information, and Household Government in the Diaries of Sarah Cowper
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The Alternative Use Of Idiophones in The Ritual Narration Of Philip Glass’s Satyagraha Opera
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