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<title>Channels - The Televised Apocalypse :: FRELIP Discovery
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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The West in the Soviet “Kingdom of Mirrors”: Entertainment of the Soviet Lithuanian Television in the Brezhnev era
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Cultivating Self-Care: Health Television and the Internalization of Individual Responsibility for Health in Contemporary China
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Emotions in Television News: the Role and Challenges of Journalists in the Media Landscape of the Post-truth Age
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Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout
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“Because like – and so I don’t – so I think it’s maybe, I don’t know”: Performing traumatic effects while reading Lynda Barry’s The Freddie Stories
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“Contradicting Contours: The Problem with Contour Theory” (Ursula Chojko-Bolec)
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Vol. 12, No. 1: 2020 Issue
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Call for Submissions: Spring/Summer 2021 Issue
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Letter from the Editors
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Dissertation Abstract: “The Phenomenology of Time-Consciousness in Art: Merleau-Ponty, Temporality, and the Rupture of Freedom” (Jordan Kokot)
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Ask the Aesthetician: Dr. Katherine Thomson-Jones
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Conference Reports: “Virtual Southern Aesthetics Workshop II (SAW II)” (Jeremy Fried)
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The Face of an Empire: Cosmetics and Whiteness in Imperial Portraits of Queen Elizabeth I
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White Shoals, White Shrouds: Reflections on the Ethics of Looking at Captive Bodies
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Visualizing Banaba: Art and Research about a Diffracted Pacific Island
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My Love to Be Defused: Beginnings of an Ethics of Belonging through Negotiations of a National Socialist Image in Daily Life, from Infancy to Adulthood (Excerpts from Diaries Now Titled, The Responsibility of Being That Sort of Baby, March 24–July 25, 20
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Introduction to “Hauntings and Traces”
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Front Matter
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Power Geometry in Urban Memory: Reading Taksim Square Through the Concept of Representation of Space
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Table of Contents
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Letter from the Editor
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Refract Journal, Volume 3: Hauntings and Traces Full Issue
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Refract and the University of California
