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<title>Channels - Douce Mélancholie: Sonic Negotiations of Absence in the Works of Susan Philipsz and Félicia Atkinson :: FRELIP Discovery
Channels Douce Mélancholie: Sonic Negotiations of Absence in the Works of Susan Philipsz and Félicia Atkinson
Mapping Sonic Futurities
Flashbacks: lovely, vibrant, melancholy
Decolonising Narratives Through Sonic Artistry and Weaving Dialogues: A Trans-Indigenous Exploration
Negotiating identity through Zhuangzian philosophy: Dementia narratives in Chinese cinema
Listening with Edible Plants in Sonic Art
Giving God Glory: How Christian Tharus Negotiate Belonging through Ritual Music in Nepal
Teaching Phillis Wheatley (Peters) as a Working Artist
Atelier de traduction et lecture – Traduire Dancinq Queen de Felicia Mihali – pari et défis, 5 juillet 2025
My Love to Be Defused: Beginnings of an Ethics of Belonging through Negotiations of a National Socialist Image in Daily Life, from Infancy to Adulthood (Excerpts from Diaries Now Titled, The Responsibility of Being That Sort of Baby, March 24–July 25, 20
Appendix: Recent VRA Copyright & Fair Use Work
The Silences of Skåne: Sonic Representations of Space and Place in the Wallander Novels and Films
Sonic (and Other) Environments as the Mirror of Society (and as the Challenge for Artistic Testimony)
Soundscapes of Fear: Resonance as a Weapon and the Sonic Warfare Continuum
Trans Self-Imaging Praxis, Decolonizing Photography, and the Work of Alok Vaid-Menon
Introduction: Concise Collection on Teaching the Works of Phillis Wheatley Peters, Part II
THE ECLECTIC STATE OF MIND OF THE MODERN WOMAN: SOCIAL CONFORMITY, FEMALE REPRESENTATION, AND MELANCHOLY IN NEZİHE MERİÇ’S SHORT STORY KURUMAK
Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
Distinguishing Makamic Practices: Statistical and Machine Learning-Based Analysis of Ottoman/Turkish Music and Turkish Folk Music Works
Parnell, Susan and Edgar Pieterse, eds. Africa’s Urban Revolution. London: Zed Books, 2014, 309 pp.
Susan Paddock
Susan R. Lin
Contemplative Absence: Sacred Experience in Abbas Kiarostami’s The Wind Will Carry Us and the Aesthetics of Slow Cinema
Long-lag identity priming in the absence of long-lag morphological priming: evidence from Mandarin tone alternation
Rationalising creative uncertainty? The negotiated use of audience feedback in Danish film production
