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“Because like – and so I don’t – so I think it’s maybe, I don’t know”: Performing traumatic effects while reading Lynda Barry’s The Freddie Stories
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“Contradicting Contours: The Problem with Contour Theory” (Ursula Chojko-Bolec)
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Vol. 12, No. 1: 2020 Issue
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Call for Submissions: Spring/Summer 2021 Issue
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Letter from the Editors
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Dissertation Abstract: “The Phenomenology of Time-Consciousness in Art: Merleau-Ponty, Temporality, and the Rupture of Freedom” (Jordan Kokot)
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Ask the Aesthetician: Dr. Katherine Thomson-Jones
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Conference Reports: “Virtual Southern Aesthetics Workshop II (SAW II)” (Jeremy Fried)
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The Face of an Empire: Cosmetics and Whiteness in Imperial Portraits of Queen Elizabeth I
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White Shoals, White Shrouds: Reflections on the Ethics of Looking at Captive Bodies
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Visualizing Banaba: Art and Research about a Diffracted Pacific Island
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My Love to Be Defused: Beginnings of an Ethics of Belonging through Negotiations of a National Socialist Image in Daily Life, from Infancy to Adulthood (Excerpts from Diaries Now Titled, The Responsibility of Being That Sort of Baby, March 24–July 25, 20
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Introduction to “Hauntings and Traces”
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Front Matter
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Power Geometry in Urban Memory: Reading Taksim Square Through the Concept of Representation of Space
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Table of Contents
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Letter from the Editor
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Refract Journal, Volume 3: Hauntings and Traces Full Issue
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Refract and the University of California
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Mining Things: Confronting Loss and Flux in the Slate Industry Ruins of Northwest Wales
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Interview with Boreth Ly on Her New Book, Traces of Trauma
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In the Traces: Reflections on Fieldwork in the Region of Ani
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Photogrammetry and Zhongshan Pavilion: Reconstructing Urban Memory of the Wenxi Fire
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The Televised Apocalypse
