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<title>Channels - 4. Conceptual Materiality and Sculptural Critique :: FRELIP Discovery
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Creativity, Craftsmanship, and Connection: Large-Format Sculpture Design
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The Use Of Scrap Materials in Architecture: A Conceptual and Practical Analysis Of Junkitechture Practices
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"LeWitt Transpositions" and Conceptual Transpositions: Considering the Grammars of Conceptual Art and Parametric Drawing
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From the Iliad to the Troy Sonata: Conceptual Blending Theory
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The Significance of Sculpture in Antanas Vivulskis’ Architectural Projects
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Opening Materials
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Resonating with the Past: Mediation of Memory in Sound Sculptures
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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Association, Affect, and Material Reading Practices of Anna Laetitia Barbauld
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4. The Inner Mechanism of the Actor in the Vision of Eugenio Barba
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4. Implementing the Concept of Artistic Efficiency: Some Sugestions for Teachers
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BLAST RADIUS: No. 4 in a Series of Data Humanization Performances
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Refract Journal, Volume 4: Document/ary Full Issue
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Thinking of Water as a Material Witness: An Attempt to Fill the Voids in the Archive of the Moscow Canal (1932–37)
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Herd / Lab || Flock / Cube: Livestock Production, Relational Aesthetics and New Materialism in Contemporary Irish Visual Arts Practice & Memoir
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Determination of Classroom Teachers’ Conceptual Knowledge Levels and Attitudes Towards Education 4.0
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The Case of Cronos: A Study of Familial Resilience and Transnational Political Critique
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Revisiting the narrative theory of genres: Critiquing Jürgen Habermas's Communicative Action
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26.04.16 Debaene, Marjann and Hannah De Moor, eds. Borman in Context: Brabantine Sculpture from 1460-1540.
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A History of the Conceptualization of Diphtheria
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Sculptures in Concurrency
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The Trivial as Theory: Postcolonial Aesthetics, Social Media Micro-Narratives, and the Future of Minor Critique
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Zeki Demirkubuz as a Creator of Meaning: A Critique of the Film Hayat
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A Critique of Political Communication Theory in Assessing the Concept of the Russian Threat in Lithuanian Media
