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<title>Channels - “Ecco il loco destinato”: Cenobio Paniagua, the New Composer and Original Opera as an Expression of National Pride in 1863 Mexico :: FRELIP Discovery
Channels “Ecco il loco destinato”: Cenobio Paniagua, the New Composer and Original Opera as an Expression of National Pride in 1863 Mexico
Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
Narrativas paralelas: nuevas metodologías y documentos para una historiografía de la ópera italiana en el México independiente
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Mónica Cárdenas, piano and composer, and Johann Aparicio, cello. Chaos. CD, 2023.
Sustaining Creative Work: Satisfaction of Classical Music Composers with Institutional Support in Slovakia
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
“The sound of silent notes, the breath of forgotten melodies” composer Turhan Taşan, who devoted a life to Turkish music
“El Bandolón”…instrumento emblemático del México independiente
Música en el México del siglo XX
DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
Antonio Ezquerro Esteban, Oriol Brugarolas Bonet, and Javier Artigas Pina, eds. Repertorio inédito para tecla en la Barcelona de comienzos del siglo XIX: de la ópera al salón y el convento. Edicions de la Universitat de Barcelona, 2025.
Instrumentos musicales y patrones rítmicos de la mayapax en la zona centro de Quintana Roo, México
Luis Diaz-Santana Garza. Between Norteño and Tejano Conjunto: Music, Tradition, and Culture at the U.S.-Mexico Border. Lexington Books, 2021.
"The Rameau Compendium" by Graham Sadler
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"Beyond the Score: Music as Performance" by Nicholas Cook
"Playing the Cello, 1780-1930" by George Kennaway
"Clavichord for Beginners" by Joan Benson
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
