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Channels - ‘Hoy al Portal ha venido’: Nativity scenes and the Galant style in the Christmas villancicos from the Cathedral of Santiago, Chile (c.1770-1820) :: FRELIP Discovery
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‘Hoy al Portal ha venido’: Nativity scenes and the Galant style in the Christmas villancicos from the Cathedral of Santiago, Chile (c.1770-1820)
Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
“Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810
David Ferreiro Carballo. Luis R. Brage Villar. Obra e memoria. Santiago de Compostela: Consello da Cultura Galega, 2020.
La viola en el 'Tema variado para cuarteto de cuerdas op.17' (1820) de Juan Crisóstomo de Arriaga (1806-1826): otra clave del misterio
"The Rameau Compendium" by Graham Sadler
Test
"Beyond the Score: Music as Performance" by Nicholas Cook
"Playing the Cello, 1780-1930" by George Kennaway
"Clavichord for Beginners" by Joan Benson
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
"The Cambridge Companion to Percussion," edited by Russell Hartenberger
DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
Un modelo analítico para la música vocal religiosa hispana: Estructura y expresión en el Te Deum (1814) de José Lidón
The Raja’s Nicaraguan Dream: Exoticism, Commemoration, and Nostalgia in Luis A. Delgadillo’s "Romance Oriental"