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<title>Channels - Foreign Concepts: Saverio Mercadante and the Seeds of Modern Lyric-Theatrical Spanishness :: FRELIP Discovery
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Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century
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Animals in Early Modern Histories of Music
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Teaching the concepts of genre and form in music theory education
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
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Gioachino Rossini. La Veuve andalouse = The Andalusian Widow = La viuda del náufrago: for voice and piano = para voz y piano. Antoni Pizà and María Luisa Martínez, eds. Kassel: Reichenberger, 2022.
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Tomás Vicente Tosca, and Antonio Ezquerro Esteban, eds. Tomás Vicente Tosca y la renovación musical en el siglo XVIII. Barcelona: Universidad de Barcelona, 2021.
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Jaime Flores Guardado. Un rock acá para todos los roles, Volumen I. Zacatecas: Ediciones Ágora, 2022.
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Roots of Lorca’s Black Poetry in Van Vechten’s Vision of the African American Spiritual
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La instrucción violinística en la España Ilustrada: aportación ibérica al legado pedagógico del instrumento
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Narrativas paralelas: nuevas metodologías y documentos para una historiografía de la ópera italiana en el México independiente
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Discursos sobre a música-teatro na historiografia da música brasileira: duas obras musicológicas em perspectiva e seus desdobramentos
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Mujeres-agua, mujeres-espejo y mujeres-puente en la creación y promoción de la canción artística latinoamericana e ibérica
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La voz como misión
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Pacto de violeiro: entre as cordas, o diabo e a cruz
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Tomás Bretón. Quinteto en sol mayor para piano y cuerda. María Luisa Martínez and Antoni Pizà, eds. Madrid: Colección Música Hispana, ICCMU, 2021.
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Luis Diaz-Santana Garza. Between Norteño and Tejano Conjunto: Music, Tradition, and Culture at the U.S.-Mexico Border. Lexington Books, 2021.
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Co-Creative Spaces
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Electroacoustic Composition Process as Com-position
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"The Rameau Compendium" by Graham Sadler
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