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Channels - Tomás Bretón. Quinteto en sol mayor para piano y cuerda. María Luisa Martínez and Antoni Pizà, eds. Madrid: Colección Música Hispana, ICCMU, 2021. :: FRELIP Discovery
Channels
Tomás Bretón. Quinteto en sol mayor para piano y cuerda. María Luisa Martínez and Antoni Pizà, eds. Madrid: Colección Música Hispana, ICCMU, 2021.
Gioachino Rossini. La Veuve andalouse = The Andalusian Widow = La viuda del náufrago: for voice and piano = para voz y piano. Antoni Pizà and María Luisa Martínez, eds. Kassel: Reichenberger, 2022.
Samper, Baltasar. "Música de Jazz. Conferències de 1935." Antoni Pizà and Francesc Vicens, editors. Palma de Mallorca, Spain: Lleonard Muntaner, 2019
Goldberg, K. Meira, Walter Aaron Clark, and Antoni Pizà, eds. "Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma." Newscastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019.
Formas musicales en la olvidada Colección de Cantos Populares de F. Pichardo
"Cuarteto de cuerdas" de Manuel M. Ponce dedicado a Paul Dukas
Tomás Vicente Tosca, and Antonio Ezquerro Esteban, eds. Tomás Vicente Tosca y la renovación musical en el siglo XVIII. Barcelona: Universidad de Barcelona, 2021.
Un modelo analítico para la música vocal religiosa hispana: Estructura y expresión en el Te Deum (1814) de José Lidón
Silvio Martínez: Una mirada a la música andina colombiana desde el Cuarteto de Guitarras
La viola en el 'Tema variado para cuarteto de cuerdas op.17' (1820) de Juan Crisóstomo de Arriaga (1806-1826): otra clave del misterio
Recepción de Richard Wagner y Vanguardia en las Artes Españolas. Mitos y Materialidades. Paloma Ortiz-de-Urbina and Tomas Macsotay, editors. Madrid: Dyckinson, 2024.
"The Rameau Compendium" by Graham Sadler
Test
"Beyond the Score: Music as Performance" by Nicholas Cook
"Playing the Cello, 1780-1930" by George Kennaway
"Clavichord for Beginners" by Joan Benson
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon