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<title>Channels - López-Cano, Rubén. "La música cuenta: Retórica, narratividad, dramaturgia, cuerpo y afectos (Music Tells: Rhetoric, Narrativity, Dramaturgy, Body, and Affects)." Barcelona: ESMUC, 2020. :: FRELIP Discovery
Channels López-Cano, Rubén. "La música cuenta: Retórica, narratividad, dramaturgia, cuerpo y afectos (Music Tells: Rhetoric, Narrativity, Dramaturgy, Body, and Affects)." Barcelona: ESMUC, 2020.
López-Fernández, Miguel. “Vicente Ripollés Pérez (1867–1943). Volumen 1 / 2. Misas.” Estudio y edición de Miguel López-Fernández. Madrid: Consejo Superior de Investigaciones Científicas, Editorial CSIC, 2017 / 2019.
Tomás Vicente Tosca, and Antonio Ezquerro Esteban, eds. Tomás Vicente Tosca y la renovación musical en el siglo XVIII. Barcelona: Universidad de Barcelona, 2021.
Carlos Cano, voz capturada en una Andalucía A duras penas (1976). Canción de protesta social, ambiente persónico e identidades transfonográficas en la Transición española
Marín López, Javier, ed. "Músicas coloniales a debate. Procesos de intercambio euroamericanos." Madrid: Instituto Complutense de Ciencias Musicales, 2019.
Antonio Ezquerro Esteban, Oriol Brugarolas Bonet, and Javier Artigas Pina, eds. Repertorio inédito para tecla en la Barcelona de comienzos del siglo XIX: de la ópera al salón y el convento. Edicions de la Universitat de Barcelona, 2025.
Eli Rodríguez, Victoria, Javier Marín- López, and Belén Vega Picacho, eds. En, desde y hacia las Américas. Músicas y migraciones transoceánicas. Madrid, Dykinson, 2021.
Julia Esther García Manzano, Pedro Luengo, Francisco Martín-Quintero, and Israel Sánchez López, eds. El análisis musical actual: Marco teórico e interdisciplinariedad. Sevilla: Libargo Editorial, 2021.
"The Rameau Compendium" by Graham Sadler
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"Beyond the Score: Music as Performance" by Nicholas Cook
"Playing the Cello, 1780-1930" by George Kennaway
"Clavichord for Beginners" by Joan Benson
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
