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<title>Channels - El Concierto para piano, Op. 22 (1904) de Ricardo Castro (1864-1907): contextualización histórica y aproximación analítica :: FRELIP Discovery
Channels El Concierto para piano, Op. 22 (1904) de Ricardo Castro (1864-1907): contextualización histórica y aproximación analítica
Gila Goldstein, piano. Latin American Piano Gems. Centaur Records, CRC 4083 (2024)
"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
Mónica Cárdenas, piano and composer, and Johann Aparicio, cello. Chaos. CD, 2023.
Gioachino Rossini. La Veuve andalouse = The Andalusian Widow = La viuda del náufrago: for voice and piano = para voz y piano. Antoni Pizà and María Luisa Martínez, eds. Kassel: Reichenberger, 2022.
Dance and emotion in F. Chopin’s Mazurka: meaning and interpretation of Op. 50 No. 3
A pilot study on the establishment and implementation of a group piano laboratory in a music education department in Türkiye
Tomás Bretón. Quinteto en sol mayor para piano y cuerda. María Luisa Martínez and Antoni Pizà, eds. Madrid: Colección Música Hispana, ICCMU, 2021.
La viola en el 'Tema variado para cuarteto de cuerdas op.17' (1820) de Juan Crisóstomo de Arriaga (1806-1826): otra clave del misterio
Haciendo música moderna en la Alemania nazi. La experiencia migratoria de la compositora chilena Carmela Mackenna Subercaseaux revisada a través del estudio de “Musique pour deux pianos” (1936)
"The Rameau Compendium" by Graham Sadler
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"Beyond the Score: Music as Performance" by Nicholas Cook
"Playing the Cello, 1780-1930" by George Kennaway
"Clavichord for Beginners" by Joan Benson
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
