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<title>Channels - Between Ottoman Legacy and Hybrid Dance Identity :: FRELIP Discovery
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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
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Danzón-Cumbia: Audible Legacies of Cuban Music in Panamanian Popular Music
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Rethinking Folk Dances of Samsun in Greece with Ethnochoreohistory
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Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
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Dance and emotion in F. Chopin’s Mazurka: meaning and interpretation of Op. 50 No. 3
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The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
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An ethnomusicological perspective on the musical identity of the city: male henna nights in Elazığ
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Maria de Baratta’s 'Nahualismo' Revisited: Quantum Identity Politics, Crises, and Reconfigurations
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Streaming the self: digital music platforms, Uses & Gratifications, and the construction of social identity
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A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
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Goldberg, K. Meira, Walter Aaron Clark, and Antoni Pizà, eds. "Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma." Newscastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019.
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Sound Architectures: The Relationship between Music and Architecture
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Investigating common cognitive processes between music and mathematics in educational contexts: a systematic review of the literature
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Hildegard Westerkamp’s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self through Soundscape Composition
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Luis Diaz-Santana Garza. Between Norteño and Tejano Conjunto: Music, Tradition, and Culture at the U.S.-Mexico Border. Lexington Books, 2021.
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The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
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How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
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Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
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Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
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Music on the Periphery of Aesthetics
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Amor eterno e inolvidable: explorando la huella emocional de Juan Gabriel en la música mexicana
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“Esto es un negocio”: dinámicas de producción musical de narcocorridos en la industria del Movimiento Alterado
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Recepción de Richard Wagner y Vanguardia en las Artes Españolas. Mitos y Materialidades. Paloma Ortiz-de-Urbina and Tomas Macsotay, editors. Madrid: Dyckinson, 2024.
