Skip to content
<title>Channels - Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage :: FRELIP Discovery
Channels Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
EXAM SAMPLE FOR TURKISH FOLK MUSIC CLASS
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
An analysis of Çorum folk songs according to Turkish music Usûl theory
Sustaining Creative Work: Satisfaction of Classical Music Composers with Institutional Support in Slovakia
“The sound of silent notes, the breath of forgotten melodies” composer Turhan Taşan, who devoted a life to Turkish music
Rethinking Folk Dances of Samsun in Greece with Ethnochoreohistory
Mónica Cárdenas, piano and composer, and Johann Aparicio, cello. Chaos. CD, 2023.
Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
“Ecco il loco destinato”: Cenobio Paniagua, the New Composer and Original Opera as an Expression of National Pride in 1863 Mexico
Music, Nature, and Sound: Musical Ecology
Danzón-Cumbia: Audible Legacies of Cuban Music in Panamanian Popular Music
Music on the Periphery of Aesthetics
Methodological Issues in Transnational Music Archive Research: The Case of Bulgarian Music Archives
Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
EFFECTIVE PRESENTATIONS IN MUSIC MANAGEMENT
Generating Music, AI and Energy
On Shadows and Music History in Central America
Music Lesson Programs and Cemil Türkarman
Animals in Early Modern Histories of Music
"Beyond the Score: Music as Performance" by Nicholas Cook
Sound Architectures: The Relationship between Music and Architecture
The role of the music teacher in the changing paradigm of education
Dobruja Turkish-Tatar music and cultural representation
