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<title>Channels - Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians :: FRELIP Discovery
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Between Ottoman Legacy and Hybrid Dance Identity
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A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
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Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
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An ethnomusicological perspective on the musical identity of the city: male henna nights in Elazığ
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Maria de Baratta’s 'Nahualismo' Revisited: Quantum Identity Politics, Crises, and Reconfigurations
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Streaming the self: digital music platforms, Uses & Gratifications, and the construction of social identity
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Rethinking Folk Dances of Samsun in Greece with Ethnochoreohistory
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Dance and emotion in F. Chopin’s Mazurka: meaning and interpretation of Op. 50 No. 3
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The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
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Goldberg, K. Meira, Walter Aaron Clark, and Antoni Pizà, eds. "Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma." Newscastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019.
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López-Cano, Rubén. "La música cuenta: Retórica, narratividad, dramaturgia, cuerpo y afectos (Music Tells: Rhetoric, Narrativity, Dramaturgy, Body, and Affects)." Barcelona: ESMUC, 2020.
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"Beyond the Score: Music as Performance" by Nicholas Cook
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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An examination of attitudes toward taksim performance: the case of conservatory students
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"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
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"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
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“Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810
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Francis Poulenc: form analysis of Clarinet and Bassoon Sonata and its evaluation in terms of performance techniques
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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Joseph Banowetz, Philip Fowke, and Nancy Lee Harper. The Performing Pianist’s Guide to Fingering. Indiana University Press, 2021.
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The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
