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<title>Channels - Comparing Secco Recitative Accompaniment by Contemporary Cellists and Cellists in the 19th Century: A Study of Social and Cultural Assumptions :: FRELIP Discovery
Channels Comparing Secco Recitative Accompaniment by Contemporary Cellists and Cellists in the 19th Century: A Study of Social and Cultural Assumptions
Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century
"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
The Life and Works of Gedikpaşalı Yahyâ Nazim Efendi, One of the Important Names of 17th Century Turkish Music
"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
The effect of a 5th grade music coursebook enriched with e-content on students’ academic success and motivation
Kiko Mora, ed. Mediterranean Musicscapes in Contemporary Spain. Form Mosaic to Net. Bloomsbury Academic, 2024
Benedicto Sáenz 'Libera Me': Occidentalisms in Latin America Nineteenth-Century Sacred Music
Dobruja Turkish-Tatar music and cultural representation
EXAMINATION OF PEPE CARTOON FROM TURKISH MUSIC CULTURE
Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
Human Capital and Cultural Resilience: Sulukule Entertainment Houses as an Alternative Urban Economy
Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
Luis Diaz-Santana Garza. Between Norteño and Tejano Conjunto: Music, Tradition, and Culture at the U.S.-Mexico Border. Lexington Books, 2021.
Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
Streaming the self: digital music platforms, Uses & Gratifications, and the construction of social identity
The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
Carlos Cano, voz capturada en una Andalucía A duras penas (1976). Canción de protesta social, ambiente persónico e identidades transfonográficas en la Transición española
"The Rameau Compendium" by Graham Sadler
Test
"Beyond the Score: Music as Performance" by Nicholas Cook
"Playing the Cello, 1780-1930" by George Kennaway
"Clavichord for Beginners" by Joan Benson
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
