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<title>Channels - "The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson :: FRELIP Discovery
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Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
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"The Cambridge Companion to Percussion," edited by Russell Hartenberger
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On Shadows and Music History in Central America
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Animals in Early Modern Histories of Music
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"Beyond the Score: Music as Performance" by Nicholas Cook
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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An examination of attitudes toward taksim performance: the case of conservatory students
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"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
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“Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810
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Francis Poulenc: form analysis of Clarinet and Bassoon Sonata and its evaluation in terms of performance techniques
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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Joseph Banowetz, Philip Fowke, and Nancy Lee Harper. The Performing Pianist’s Guide to Fingering. Indiana University Press, 2021.
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Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
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"The Rameau Compendium" by Graham Sadler
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Test
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"Playing the Cello, 1780-1930" by George Kennaway
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"Clavichord for Beginners" by Joan Benson
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"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
