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<title>Channels - "Clavichord for Beginners" by Joan Benson :: FRELIP Discovery
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"Beyond the Score: Music as Performance" by Nicholas Cook
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"Playing the Cello, 1780-1930" by George Kennaway
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"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
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"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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"The Rameau Compendium" by Graham Sadler
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
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"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
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Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
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Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
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"The Cambridge Companion to Percussion," edited by Russell Hartenberger
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DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
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Un modelo analítico para la música vocal religiosa hispana: Estructura y expresión en el Te Deum (1814) de José Lidón
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The Raja’s Nicaraguan Dream: Exoticism, Commemoration, and Nostalgia in Luis A. Delgadillo’s "Romance Oriental"
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Entre los Bambucos de Gentil Montaña
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La estancia de Maurice Ravel en la comunidad musical de Valencia
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Música kuximawara entre os povos indígenas do Noroeste Amazônico: a ética-estética de Jurupary/Biisiu aplicada à música popular
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From “Greater America” to America’s Music: Gilbert Chase and the Historiography of Borders
