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<title>Channels - The Importance Of Usıng The Metronome In The Oud Instrument :: FRELIP Discovery
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The Life and Works of Gedikpaşalı Yahyâ Nazim Efendi, One of the Important Names of 17th Century Turkish Music
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Streaming the self: digital music platforms, Uses & Gratifications, and the construction of social identity
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Form analysis in Baroque music using artificial intelligence: investigation and comparison of three artificial intelligence models
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Carlos Cano, voz capturada en una Andalucía A duras penas (1976). Canción de protesta social, ambiente persónico e identidades transfonográficas en la Transición española
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Silvio Martínez: Una mirada a la música andina colombiana desde el Cuarteto de Guitarras
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“Ó! Rigor duro da Lei”: A miséria e a paixão do Padre José Maurício Nunes Garcia (1767-1830)
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"Los vivas eran oídos a lo lejos entre el estruendo de las bandas militares": The Promotion of Music during the Second Mexican Empire
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López-Cano, Rubén. "La música cuenta: Retórica, narratividad, dramaturgia, cuerpo y afectos (Music Tells: Rhetoric, Narrativity, Dramaturgy, Body, and Affects)." Barcelona: ESMUC, 2020.
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López-Fernández, Miguel. “Vicente Ripollés Pérez (1867–1943). Volumen 1 / 2. Misas.” Estudio y edición de Miguel López-Fernández. Madrid: Consejo Superior de Investigaciones Científicas, Editorial CSIC, 2017 / 2019.
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Cárdenas, Mónica, pianist. "10 Preludes and Fugues of Latin America. Sonata Herencia." Tonada VP, 2021.
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Before Their Music Stopped: Manila’s Spanish Military Regimental Bands at the End of the 19th Century
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Los sonidos de Costa Rica 200 años después / The Sounds of Costa Rica 200 years later
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Danzón-Cumbia: Audible Legacies of Cuban Music in Panamanian Popular Music
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Standing the Test of Time: Neo–Traditionalism as Neoliberalism in Garifuna World Music
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Bellaviti, Sean. Música Típica: Cumbia and the Rise of Musical Nationalism in Panama. New York: Oxford University Press, 2020.
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Maria de Baratta’s 'Nahualismo' Revisited: Quantum Identity Politics, Crises, and Reconfigurations
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A Special Issue Dedicated to Central America
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On Shadows and Music History in Central America
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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EXAM SAMPLE FOR TURKISH FOLK MUSIC CLASS
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IS THERE SILENCE?
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HOW SHOULD THE RHYTHM INVENTED NAMED DEVRISHAHI BY MERAGI BE UNDERSTOOD? A MUSICOLOGICAL SOLUTION SEEKING
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EXAMINATION OF PEPE CARTOON FROM TURKISH MUSIC CULTURE
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Music Lesson Programs and Cemil Türkarman
