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<title>Channels - Use of ASMR Technique in Movies :: FRELIP Discovery
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Framing Anxiety. Intermedial Techniques of the Uncanny
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Spatial Thresholds and Existential Dilemmas in New Turkish Cinema: A Reading of Something Useful
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Filial Care and Familial Postmemory. On the Uncanny and Affective Intermediality of Analogue Media Use in Recent European Documentaries
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The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works
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Silent Frames of Social Realism: Exploring Economic Disparities, Urban Life, and Ethical Concerns in Pushpak Vimanam
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From Cinema to Youtube: Globalization and Active Audience of KKN Di Desa Penari Film
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Singin’ in the Cave: Singin’ in the Rain and Hollywood’s Sparkling Shadows
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‘The Dude is not in’: How the Coen Bros.’ slacker detective upends Joseph Campbell’s hero’s arc
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The Deconstruction of Patriarchal Honor in Turkish Cinema: An Analysis Of Female Characters Resisting Patriarchy Across Three Genres
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Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010)
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Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family
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‘Everything Must Go’: Joker as a Banner for Postmodernism
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Frank Sinatra: Jazz Actor
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Coding And Signification In Cinema: Semiological Perusal Of The Film In The Shadows
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The Relation of Film, Literature, and Music: The Big Lebowski’s Soundtrack as a Means of Significance Beyond the Anglophone World
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Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here
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An Investigation of the Relationship Between Violence and Emotion Perception: Evidence from Turkish Cinema
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Queer Cinema and Melodrama: A Perspective from Queer Directors
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Dementia, Cognitive Narratology, and Unreliable Narration in Florian Zeller’s The Father
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Oral History Study on Erotic Cinema: Turkish Cinema from 1974 to 1980
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Representations of Gothic and Spectral Identities in the Global South: A Study of Manichitrathazhu and its Adaptations
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Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout
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Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films
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Evaluating Turkish Comedy Cinema From the Perspective of a Female Audience
